Semantikos

In an attempt to write a personal statement for a grant application, I have recognized my affinity for semantics.  Semantics is a stunning word without the associated definition.  I feel that I am so drawn to Tom Robbins' novels because they are giant semantic stories.  He attempts to give meaning to the facts and stories that we have accepted by recreating them in an erotic way.  In Another Roadside Attraction, the sign that advertises the roadside zoo explicitly mentions "the meaning of meaning".  I love to discover the reappropriation of words and linguistics.  Often I look up the definition of a word and attempt to use it in its most primitive meaning, which sometimes can refer to its Latin roots.  (Too bad my four years of High School Latin are unsupportive.)  My aside brings me to a dramatic ironic claim.  Tom Robbins also includes a number of asides in his stories.  I am not sure if I began doing that in my writing after reading Still Life with Woodpecker a year and a half ago (which BTW influenced the title of this blog).  I believe that he includes such literary devices to provide another layer of semantics.  Robbins frequently uses long discussions amongst characters to make his point.  He provides narrative explanation of some of these points by reiterating where a character has substantiated their claim to avoid any incorrect or confounded conclusion by the reader.  Not sure where I am going with this post.  I think I was just trying to kill time before lunch (to avoid any confusion).

Living in a foreign country is hard.  I don't have the photos to show for it.

Gonzo Journalism/Ship of Theusus

I keep waking up to find myself in the same unfamiliar place. Am I a prisoner? In exile? Is this the quantifiable Atlantis? Signs direct me from one to the next. Like the lilies, nearly silhouetted yet outlined in white by the earth's final turn away from the sun, lined up against some shitty orange cloth masking the construction site. Is it too naive to conclude anything from a good night of sleep when it's preceded then followed by a night of terror? Dreams of animals scurrying lead into a slap of reality as defined by 2:30 AM and an alert of an ax murderer some three hours north of here. How can I conclude anything when these horrors are then followed by a gratuitous message permitting information that I had been intentionally avoiding? Now I sit in futile attendance of this golden hour, hopeful that the sun sets on the cloth before the flowers. My skin is itchy and broken and I keep picking and picking just to reopen old scabs. If I continue to replace the scab with a new scab, does it remain the same wound?

Ten Years

Days like today are my personal proof of reality.  I can measure days by the placement of my books, can measure months by the diminishing 25 toothpick pack, can measure years by the number of July Fifteenths that have passed since you had.  Reality only exists to me if I can count it, quantify it, put it in my pocket, and look at it later.  Since you left I have graduated twice.  I have left the country four times.  I ran 13.1 miles.  I have made one friend that will be in my life forever.  I have had ten birthdays (that's 185 candles), been in two bike accidents.  In three years, I will have lived half of my life without you. I have gone zero days without thinking about you. 

Dreams of Being Held Captive and Torschlusspanik

VIctor/Trauma/Slow Down.  Exit the bus through the second door.  Pull out all of your hair and dream that it grows back.  Dream about the wrong bus picking you up from your oppressor.  Door close panik.  Goal close panik.  Wake up to the rain.  Three hours to go.  Light from a flashlight, seeking your oppressor.  Pain in your chest. Panik in your brain.  Victor/Trauma/Slow Down.  Running for the train.